krahd je suis perdu (tout est foutu)

London Digital Week from seeper on Vimeo.

London Digital Week, MultiTouch Sequencer & Sphere

(TENT Digital @ Truman Brewery)

amen

Recién descubrí a Linus Akesson. El tipo está, muy, pero muy, salado.
Pasen y vean: http://www.linusakesson.net/

"2:20" by farbrausch.

Art and direction by Visualice, Soundtrack by Idle Sunder, made with werkkzeug3.

Submitted into the demo compo of Outline 2010 and achieved 3rd place.

More:
http://farbrausch.de/prod.py?which=172
http://pouet.net/prod.php?which=54957

(via troli)

An illegal number is a number that represents information which is illegal to possess, utter or propagate. Any information that can be represented in binary format is, ipso facto, representable as a number, and therefore if the information itself is illegal in some way, the pure number itself may be illegal.

Also, pi in binary: don't do it.

As with great works of art, you must look into the past to appreciate the future. With roots as far back as the 1970′s, the humble icon has come a long way. Following is a collection of icons though history. Although there have been many other operating systems in the time between 1981 – 2010, I’ve hand picked the ones of the most significance to modern icon design

Naked-eye 3D Display using an iPad and a projector.
Made with openFrameworks and max/msp/jitter
Download program files here.

Creepy, creepy.

it is illegal to present medieval metaphysic propaganda in public schools

With his computerized motion-control set-up, Whitney could produce a variety of innovative designs and metamorphoses of text and still images, which proved very successful in advertising and titling of commercial projects. By 1960 Whitney prepared a sample reel of these and other effects he could produce, and solicited work for his Motion Graphics, Inc. company. This company kept him so busy he did not have time to make personal films using the computerized motion-control set-up. His sample reel was artfully edited and ended with a lovely final image of a lissajous curve multiplied dozens of times, to appear twisting in waves, suggesting the time-lapse of a blossoming flower. The reel was released as Catalog and became a popular classic of 1960's psychedelica. John Whitney's younger brother James, who had collaborated with him on the early Variations and Film Exercises, used John's cam machine to shoot his fabulous film Lapis. By multiplying the hundreds of dots in his hand-drawn original artwork into thousands of dots he described the most complex mandalas writhing with life.

Beyond – Collapsible Input Device for Direct 3D Manipulation beyond the Screen from Jinha Lee on Vimeo.

Lo que nos diferencia del mono es una guerra interna, secreta y despiadada. Por un lado sabemos que todo lo que hagamos en la vida será en vano. Por otro lado, somos conscientes de que no podríamos vivir sin hacer algo. ¿Paradoja? Nada de eso. La fuerza que nos mueve, la pasión, vive gracias a estos dos ejércitos en lucha constante.

Casciari, el de orsai.

:(